俑类作品在隋唐时期也达到新的艺术高度。制作材料有泥、木、瓷、石等多种材料，以黄、褐、蓝、绿等釉色烧制而成的三彩俑数量众多，特别能够代表俑类作品新的塑造水平。在侍女、文吏等形象的塑造上，作者十分热衷于表现人物处于具体情节之中的特殊神态和动作。妇女形象由早期的窈窕转向丰腴，面相圆润，神情恬适、慵懒，长衣曳地，是唐代艺术中表现妇女理想美的典型样式。以佛教天国形象塑造的镇墓俑，神采飞扬，动中有静，夸张而有分寸。对于马与骆驼等动物形象，注重描写具体性与生动性，多表现处于精神亢奋状态中的泥杆 保定古筝 塑料增韧剂 拱形护坡模具 保定空调维修  托辊生产线动势（见唐三彩）。
The works of terracotta figures also reached a new artistic height in the Sui and Tang Dynasties. There are many materials for making, such as clay, wood, porcelain, stone, etc. there are a large number of tricolor figurines made of yellow, brown, blue, green and other glaze colors, which can especially represent the new shaping level of the figurine works. In the creation of the images of maids and literary officials, the author is very keen to show the special expressions and actions of the characters in the specific plot. The image of women has changed from being slim in the early stage to being plump, with round face, comfortable and lazy look, and long clothes hanging on the ground. It is a typical style to express women's ideal beauty in the art of Tang Dynasty. The tomb holding figurines, created in the image of the Buddhist heaven, are full of spirits, quiet in motion, exaggerated and measured. For animal images such as horses and camels, we pay attention to the description of concreteness and vividness, and mostly show the momentum in the state of spirituality (see Tang Sancai).